Content Creation & Production
Edit, grade, sound, finish.
Product films, founder interviews, event cutdowns, and short-form cuts for every feed. Full post in-house — colour, sound design, motion graphics — delivered in every aspect ratio the channel needs, captioned and ready to schedule.
Edit, grade, sound, finish — under one roof
How we think about it
Post-production in-house means the edit is not a black box you wait on. Notes get applied in the room, and the same footage is finished for every place it needs to run — landscape, vertical, square, captioned, long-form or a fifteen-second cut — rather than being re-cut by somebody else weeks later.
The film team can animate a real interface because the people who built it are down the hall — no screen recordings of a staging environment.
What this covers
The work, specifically.
- 01
DaVinci Resolve
Edit, colour and delivery in one timeline, so a grade note does not mean a round trip.
- 02
After Effects
Titles, lower thirds and explanatory animation built from your design system.
- 03
Colour grading
A consistent look across everything shot on different days and different cameras.
- 04
Sound design
Dialogue cleanup, mix and mastering. Bad audio reads as a bad product.
- 05
Motion graphics
Interface and product motion, animated from the real components rather than screenshots.
Need Content Creation & Production for something specific?
Tell us what you're trying to ship and we'll say plainly whether this is the right service for it — including when the answer is no.
How it runs
The same four steps, whatever we're building.
No account-manager relay. The lead on your project is someone who builds, and they stay on it from the first call to the last deploy.
Scope
A week of hard questions. We map what you actually need and say plainly which parts we'd cut.
Prototype
Something real in front of you early, not a document about it. Opinions get cheaper.
Build
Two-week cycles, a demo at the end of each. You see progress, not status reports.
Hand over
Documentation, a walkthrough, and the keys. Support if you want it — never as a hostage.
Questions
The things people ask before they enquire.
Both. Post is in-house — edit, colour, sound and motion in one timeline — which means notes get applied in the room rather than sent away and waited on.
Yes. The same footage is finished for every place it needs to run — landscape, vertical, square, captioned, long-form and short cuts — rather than being re-cut by somebody else weeks later.
It depends on scope, but we will give you a number before you commit to anything. Most engagements start with a paid discovery — a fixed fee, a week or two — which ends in a written scope and a real budget. If the budget does not work, you leave with the scope document and no obligation to continue.
A typical first ship is around six weeks. Larger builds run in two-week cycles after that, each ending in a demo of something that actually runs. You will know within the first cycle whether the timeline is holding, rather than finding out near the deadline.
The people you meet. The lead on your project is someone who builds, and they stay on it from the first call to the last deploy. There is no account manager relaying messages between you and an unseen team.
You own everything — code, assets, accounts, domains. We hand over with documentation and a walkthrough, and your team can run it without calling us. If you would rather we stayed on for maintenance or a next phase, that is a separate agreement, not something buried in the original contract.
Yes. Most of our work is remote, and we keep a few hours of overlap with your working day for calls. Timezone has not been the hard part; unclear scope has.
Where it meets the others